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Integral Dimension of Law: Law and Literature

Integral Dimension of Law: Law and Literature

Law is a normative value to help society live in collectivity and harmony. For law to be a supreme regulator of all, it must become integral in theory and practice. An integral dimension of law helps state, society and legal systems to balance and harmonise competing claims arising out of complexity and heterogeneity of life and changing needs.

Professor Dr. K. Parameswaran outlines his integral theory of law in this series of articles by showing how law must integrate knowledge from other disciplines; bring them under what law wants from them. “… Thus, when law becomes integral, it opens practical and yet unfailing solutions to assist peace, progress, prosperity and protection of all, for our current times and future age…” – author claims. This article, Part I, discloses the ‘integral dimension of law’ that exists between Law and Literature.

LAW AND LITERATURE

Literature is employing a language to convey through poetry, prose or drama, where expressions hold aesthetic forms other than passing communication or statements made in day today life. Literature is purposeful in leading readers to a point of observation and knowledge. Though Arts and Humanities take literature into their disciplinary folds, Social Sciences, Natural and Formal Sciences too speak of their own literature expressing the knowledge they have discovered, like scientific, historical or mathematical literature. What connection law and literature hold under integral dimension of law?

TWO CONFLICTING CAMPS OF THOUGHT

Law and literature, a recent interdisciplinary approach, while analyzing their inter-relationships brought two camps of thought. One, the ‘law in literature’ and, another ‘law as literature’; both with merits, demerits and primacy-arguments on who is correct. Former is to find ‘law in literature’ from novels, short stories, poems or religious literature. Some examples are; Shakespeare’s Quality of Mercy where ‘mercy seasons justice’ appears as an element of justice, Franz Kafga’s Trial (Der Process) where concept of legality amidst changing times is questioned, Charles Dickens’s Bleak House with a court case (Jarndyce vs. Jarndyce) where court’s approach and inheritance laws are ridiculed when legal costs of dispute outweighed actual worth of property post-judgment, or Jane Austen’s Pride and Prejudice that deals with women’s rights, marriage and social status. Sanskrit Epics Ramayana’s and Mahabharata’s war over land and sovereignty, Homer’s Iliad of warring kings, Ten Commandments and Biblical verses of religious obligations, five great epics of Tamil literature’s duties among man, woman, society and State, couplets from Tirukural’s and Kabir Doha’s reconciling values or Bhagavad Gita’s deep psychospiritual understanding of human nature, daily duties (dharma) and universal values in individual and collective life, etc. What do we (Legislative-Executive-Judiciary, lawyers and citizens) get from these literary texts? These literary texts and writers show indirectly dimensions of justice, equality, liberty and fraternity through fictional, real or ideal social situations of life.

In case of ‘law as literature’, it is all about language, its styles and intended or overstretched interpretations of legal provisions outside Objective Aims and Clauses. A single word ‘only’ changed Indian arbitration jurisprudence with popular court cases of ‘Bhatia’ and ‘BALCO’ necessitating an Arbitration Ordinance in 2015 in addition to 246th Report of Law Commission of India in 2014. Vodafone case worth billions of US Dollars in Indian Supreme Court wrangled interpretations on Section 9(1)i of the IT Act, 1961, resulting in Government to constitute a committee to address this ambiguity. International Treaty interpretations (Article 31-33, VCLT, 1969) also give interpretative methods on international laws. Numerous interpretative canons affirmed in 100’s of courts cases and legal instances explain how ‘law as literature’ comes into legal scenes. Golden, Mischief, and Literary rules, Last in Time, In Pari Materia (upon same matter), Generalia Specialibus Non Derogant (general does not detract from specific) Ejusdem Generis (of same kinds, class, or nature), Noscitur a Sociis (a word is known by company it keeps), Expressio Unius est Exclusio Alterius (express mention of one thing excludes all others), Reddendo Singula Singulis (referring each to each), Avoidance, Deference, Lenity, National- Sovereignty, Fundamental, Surplusage many other interpretative rules, etc., show how human intention and imagination expressed through a body of words and phrases act like legal vestibules of juristic ideas.

APPREHENSIONS ON ‘LAW IN LITERATURE’ AND ‘LAW AS LITERATURE’

Problems with both camps become clear when we look at them from integral theory of law. Merits of ‘law in literature’ are their indirect, silent and secondary information inspiring law-making and understanding of socio-cultural environment supplemental to legal drafting or background arguments. However, demerits of literary texts and contents are ones that fall short of pure legal insights, processes, procedures and techniques of legal science, its systems and operations of law in action. Shakespeare’s ‘mercy seasons justice’ or kabir’s Doha is certainly an appealing point in courtrooms; but it cannot become legal reasoning and arguments connecting to a cause of action based on facts marshalled through evidence, cross-examination and trial. In a lighter vein, ‘law in literature’ romanticizes law without actual romance. It can stimulate partners to come together for marriage. But matrimonial obligations shall rest only with enacted Family laws made by State and society. Merits of ‘law as literature’ are their expressive phrases conjoined in words, sentences and syntaxes. Its strategy avoids vagueness and wrong legal interpretation. Legal language guard interpretations to move only towards anticipated meanings and uninterrupted comprehension of Preamble or Objective Clauses of Statutes. Its demerits come when style stains substance.

‘Law in literature’ provides legal imagination through socio-cultural spectacles recorded in texts that State and legal systems missed; non-liquet (absence of laws). ‘Law as literature’ makes legal interpretations adopt and adhere to forecasted legal meaning through definite legal terms and phrases. Though both movements alight law, their intellectual squabbles divide them leaving laws and legal systems unaccomplished.

INTEGRAL DIMENSION OF LAW BETWEEN LAW AND LITERATURE

Integral theory includes merits of both movements, cancel demerits and transcends to offer new legal perspectives and practical solutions to State, Society and legal systems through five major elements. They are; mirroring, mindfulness, multiplicity, mitigation and manifestation of law. Integral dimension of law solves inter-disciplinary disagreements and constructs new path for law in theory and action. Follow the next issue for concluding Part II that explains integral dimension of law between law and literature.

About Author

Dr. K. Parameswaran

Dr. K. Parameswaran, Associate Professor of Law, and has been Former Dean at Gujarat, National Law University (GNLU), Gandhinagar, taught at Symbiosis School of Law, Pune, NLSIU, Bangalore, NLU, Jodhpur, University of Madras, Indian Institute of Teacher Education (IITE), Gandhinagar, worked at Publication Department of Sri Aurobindo Ashram, Pondicherry. He authored ‘The Integral Dimensions of Law’ (LexisNexis).